FILM RESTORATION PROJECT
'"SMITH, OUR FRIEND" (1946) Walter Lassally's original cut work print - Unseen for 70 years !
First shown Friday, 23rd September 2016 at Colchester Quaker Meeting House "SMITH, OUR FRIEND " An original film showing and discussion. Mick Patrick of Harlow Bedroom Tax and Benefits Justice Campaign spoke about fighting the housing act. How does this 1946 film impact present-day housing conditions and activism?
A short 16mm silent film documenting slum housing conditions and communist inspired squatting activism immediately after the Second World War. Shot with the cooperation of the residents of Stepney. Written by Derek York and Cinematography by Walter Lassally.
Start Title:
Bearing in mind progress
I would gaze at the smallest thing
that I might understand the greatest,
Regard the minute that
I might know the infinite.
for out of fragments are dominions
built - And destroyed.
Returning from wartime military service demobbed soldier, Eric Smith, comes home to his wife and children, tenants of dilapidated slum housing in the bombed out city. Carrying a cardboard suitcase containing his demob suit of civvies he walks accross the cleared open spaces of the bombed streets of Aldgate and spots his waiting family. There is a joyful reunion and they return to their slum dwelling.
The accommodation the families are living in is shown with leaking roofs, crumbling plaster, damp, and mould. Continued applications to the local housing authority are bogged down by housing shortage and beaurocracy and the family continue to suffer in squalor.
Meanwhile, empty buildings with more appropriate sanitary and healthier accommodation are taken over by direct action. Publicity for the cause is seen in placards "We Were Homeless - These were Empty!" Police are shown and squatters take occupation of empty Abbey Lodge, Fountain Court, The Duchess of Bedford House, Kensington, and the empty Cranstons Ivanhoe Hotel in Bloomsbury Street. Donated furniture and provisions are delivered by lorry and unloaded by activists through windows of the locked buildings.
Frustrated with their living conditions, the Smiths now move from their slum to join the squatters with improved accommodation and conditions. "600 Rooms Vacant - Why Be Homeless ?" A protester perched on the sill of an upper window of the Ivanhoe Hotel is arrested and five communist squatter leaders are remanded for eight days charged with 'conspiracy and incitement to tresspass.'
Aneurin Bevan was Minister for Health with responsibility for housing in the Atlee Labour government. He instructed local councils to act against the squatters. Soon the water mains, electricity, and gas suppy to the occupied buldings was cut off. The 300 resident squatters were forced to quit and the Smith family returns to the misery of their dilapidated slum dwelling and the ever dripping pail of water from the leaking ceilings.
End Title:
In this one raindrop
I see the ultimate torrent surging
into the final ocean
In the torment of one human frame
I see the dignity of all human emotion
overbalanced and walked upon.
For out of fragments........................................
......................................... are dominions built
___ And destroyed.
Written & Edited by: Derek York
Photography: Walter Lassally
Continuity: Barbara Gabbott
Location Assistants: Doreen Bovey, Oliver Coombs
Smith, Our Friend is supposed to include the then serving soldier, and RADA student, Bryan Forbes in his first film appearance. He did feature in the uncompleted Derek York, Walter Lassally sound short film 'Weekend.' However Bryan Forbes does not play the role of Eric Smith that he is credited with by the BFI and elsewhere.
Do you know the source and poet of the raindrop verse that frames the opening and closing titles of this film?
The Ealing feature film "Passport to Pimlico," made three years later, in 1949, well presents the atmosphere and landscape of the period as an entertainment film whose activists are shopkeepers rather than the homeless.
Walter Lassally recounts making a film about squatters part 1
Walter Lassally recounts making a film about squatters part 2
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